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Life Studies and For the Union Dead (FSG Classics), by Robert Lowell
PDF Ebook Life Studies and For the Union Dead (FSG Classics), by Robert Lowell
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Robert Lowell, with Elizabeth Bishop, stands apart as the greatest American poet of the latter half of the twentieth century―and Life Studies and For the Union Dead stand as among his most important volumes. In Life Studies, which was first published in 1959, Lowell moved away from the formality of his earlier poems and started writing in a more confessional vein. The title poem of For the Union Dead concerns the death of the Civil War hero (and Lowell ancestor) Robert Gould Shaw, but it also largely centers on the contrast between Boston's idealistic past and its debased present at the time of its writing, in the early 1960's. Throughout, Lowell addresses contemporaneous subjects in a voice and style that themselves push beyond the accepted forms and constraints of the time.
- Sales Rank: #439079 in Books
- Brand: Lowell, Robert
- Published on: 2007-10-16
- Released on: 2007-10-16
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .40" w x 5.50" l, .40 pounds
- Binding: Paperback
- 176 pages
Review
“Robert Lowell is, by something like a critical consensus, the greatest American poet of the mid-century . . . More than any contemporary writer, poet, or novelist, Lowell has created the language, cool and violent all at once, of contemporary introspection.” ―Richard Poirier, Book Week
“Life Studies gives us the naked psyche of a suffering man in a hostile world, and Lowell's way to manage this material, to keep it, is by his insistent emphasis on form. The natural heir to Eliot and pound as well as to Crane, he extends their methods.” ―M. L. Rosenthal, Salamagundi
About the Author
Robert Lowell (1917-1977) was the author of a dozen volumes of poetry, for which he twice received the Pulitzer Prize.
Most helpful customer reviews
15 of 18 people found the following review helpful.
"For the Union Dead" - A Timeless Civil War Poem
By KBM
I read this poem again on Martin Luther King Day, a fitting day for this poem, a tribute to the Union dead of the Civil War and a particular remembrance of the black soldiers who wore the uniform of the Union-- particularly of the Massachusetts 54th Regiment (made famous to non-Civil War students by the movie Glory several years ago).
The 54th Massachusetts was the first black regiment to march from the North to fight the Confederacy. These men were quite brave knowing that in battle they would likely get little or no quarter, and if captured they would most assuredly be sent south back to slavery. These men had much to prove, what with years of racism from North and South to be broken and defeated by their bravery and sacrifices-- not to mention the Confederate army that they would later face on the battlefield. They would win ever-lasting fame for their courage during their doomed assault on Fort Wagner at Charleston Harbor, South Carolina, July, 1863. The attack would be a night assault on this heavily guarded fort. The fighting would be intense and the 54th would not be successful. Their white colonel, Robert Gould Shaw would be killed, and almost half the regiment would be lost. The first Medal of Honor for a black man would be earned there.
They marched down Beacon Street, with the Massachusetts State House on one side and Boston Common on the other - off to war, off to death and glory on a twin mission; to fight for the Union and show the world that they were equal in ability to whites. Directly across the street from the Massachusetts State House on Beacon Street there now stands the brilliant monument by Augustus St. Gaudens, forever commemorating the 54th, the first black regiment and their white commander Colonel Robert Gould Shaw.
This monument on Beacon Hill is one of the finest monuments of any kind in the United States. As a tribute to Shaw and the 54th it is unparalleled in the physical world; but in the emotional world, the world of poetry, Robert Lowell comes quite close. Lowell brilliantly describes the monument to the 54th and works it into the life of Boston that foremost of abolition cities of the North. Standing before the 54th monument on Beacon Hill, as the crowds walk swiftly by and the traffic speeds along past the State House, one can almost hear the men breath as they are forever frozen in bronze on their march south to battle. There are few monuments in bronze as lifelike as this one: it is an incredible tribute to the 54th and their commander and adorns the city of Boston as fittingly as the obelisk at Bunker Hill or the colonial historical sites of Adams, Revere, Hancock, and several miles to the west, Lexington and Concord.
Lowell's "For the Union Dead" is a successful poem on so many levels and succeeds completely where Tate's "Ode to the Confederate Dead" so totally fails. It unifies time and place, and brings context and permanence where everything seems to be shifting and changing. As a tribute to the 54th and the Union dead of the Civil War its elements run as deep as the waters off the coast of Boston seen from the top of Beacon Hill so long ago when the skyscrapers didn't block the view.
Having started his education at Harvard, Lowell transfered to Kenyon College to study under John Crowe Ransom another of Vanderbilt's Fugitives, like Allen Tate and Donald Davidson. It is an astounding thing that the two greatest Civil War poems of modern times ("Lee in the Mountains" and "For the Union Dead") and the worst ("Ode to the Confederate Dead") should be written by poets with Nashville connections. Lowell went on to graduate school to study under Robert Penn Warren, another Vanderbilt "Fugitive".
St. Gaudens placed a Latin inscription on the monument, the motto of the Society of the Cincinnati (a society of Revolutionary War officers started by George Washington and Henry Knox): "Relinquit Omnia Servare Rem Publicam". The translation is: "He left behind everything to save the Republic". Lowell opened his poem with this Latin phrase but changed the singular "he" to "they" in the Latin so that his poem would refer to all the men of the 54th not just its white commander, Robert Gould Shaw, to read: "Relinquunt Omnia Servare Rem Publicam".
"For the Union Dead" was published in 1964 during the height of the Civil Rights movement. Active in Civil Rights efforts, it is perfectly understandable that Lowell should have written this poem of unity and appreciation with concern, too, that the past should be remembered and its lessons learned. The battlefield of Fort Wagner had been by then reclaimed by the sea at Charleston Harbor and the monument to the 54th had fallen into disrepair. In fact, it was during this time that the St. Gaudens monument had been removed and stored in a crate to prevent damage from "shaking" from the construction of the underground Boston Commons parking garage. So, the battleground is gone, and Shaw's monunument is gone (but only temporarily), and history fades while "progress" continues speedily obliterating the memory of those that have come before.
"The stone statues of the abstract Union Soldier
grow slimmer and younger each year-
wasp-waisted, they doze over muskets
and muse through their sideburns . . ."
Lowell's brilliant poem is his way of retaining the past and ensuring that important historical memory is not lost forever. The men of the 54th Massachusetts, black and white, were leaders in bringing an end to slavery and establishing equality under the law for blacks in America. The story of their bravery and sacrifice is important to understanding American history and the Civil War. These men demonstrated with their actions and their blood that they were equals and merited equal positions in American society. As Americans North and South we ought to continue to embrace their memory and appreciate the many challenges that they overcame and the lessons that they taught us with their sacrifices at Fort Wagner and elsewhere.
We can look back to the 54th Massachusetts as a standard bearer in the struggle for Civil Rights in America. In the 1980s, my husband was privileged to be part of an effort to restore the St. Gaudens monument to its original beauty and power. Lowell's poem is a tribute to this beautiful work of art, and the men of the 54th Massachusetts who so inspired it. It is our duty a to remember our past, appreciate and commemorate our war dead, and learn those lessons that they underscored for later generations with their lives.
"Two months after marching through Boston,
half the regiment was dead;
at the dedication,
William James could almost hear the bronze Negroes breathe."
This is one of the finest poems of the 20th century and stands with "Lee in the Mountains" as one of the two great modern poems of the Civil War.
14 of 17 people found the following review helpful.
Important with a capital 'I'
By frumiousb
For a long time, one of my favorite poems has been Robert Lowell's "Skunk Hour", but I have never read the book which was the context around it. Lowell is one of those writers who are often pushed down your throat as being "The Most Important Poet Ever!" by college professors and I have to admit that this attitude lead me to resist reading further.
I want to say that this was a mistake, because of how much I enjoyed this book, but I'm not sure how well I could have appreciated these poetry books had I been younger. They are not simple about anything they touch-- not histories (public or private), not love, not death, not depression. They are complicated words that are painted in detailed layers, so the richness gets deeper the longer you look. The setting is so subtle that when Lowell does say something overt, it comes as a distinct shock.
I didn't want to stop reading the book when it was over, and went back and started reading the poems again-- it was that compelling.
14 of 18 people found the following review helpful.
One of America's finest poets at the peak of his powers.
By Frank Beck
In LIFE STUDIES, published in 1959, Lowell described his experiences growing up in a prominent Boston family, using a style so intimate and revealing that it became known as "confessional poetry." Four years later came FOR THE UNION DEAD, in which he used the same style to address social themes as well as personal ones. Together, these two books constitute a watershed in modern American poetry. In a host of poems, including "Beyond the Alps," "Skunk Hour," and "For the Union Dead," Lowell created a style that was colloquial and contemporary, but echoed the grandeur of a poetic tradition running back to Shakespeare. Of all the American poets to emerge since the war, few have had the wide-ranging influence of Lowell and a young student of his named Sylvia Plath. This is a book that every literate American should know.
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