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Photojournalism blends insightful interviews with professionals, sharp practical experience, and high-impact photographs to create the definitive text on photojournalism. Individual case studies draw upon the experience of leading photojournalists and delve into their reasons for making the decisions they did, showing readers how working professionals handle on-the-job challenges.
This revised and reorganized edition features an updated imaging chapter and new material on finding feature pictures, picture editing, ethics, law and wartime censorship, more interviews with professional and a new design to help recreate the impact the photos had in their original context. The result is a stunning and dramatic showcase to the best of photojournalism.
Photojournalism includes new interviews with well known photojournalists, such as, Anne Wells story of a Pulitzer Prize Photo, John Gaps III of the Associated Press, David Kennerly of Newsweek, Diana Walker and PF Bently of Time.
- Sales Rank: #941985 in Books
- Published on: 2000-05
- Original language: English
- Number of items: 1
- Dimensions: .86" h x 8.52" w x 11.02" l,
- Binding: Paperback
- 384 pages
Review
"I repeatedly have students comment on how interesting this book is. Now that's saying something."
-Walter Coker, Univ. of North Florida
"A foundation text in journalism that improves with each edition."
-James Kelly, Southern Illinois University
"Insightful photographs and very good examples given for each particular topic. Kobre has done an excellent job."
Covering the Issues is Excellent! Ethics & legal issues well covered. Get rid of photo on page 86.
- Sean Meyers, Texas Tech University
"Very comprehensive. Still the best on the market."
- Art Hansen, Lansing Community College
"Kobre's book offers relevant information for every photojournalist from the beginning student to the seasoned professional. I've been referring to it for the more than a decade now."
Jenni Kolsky, CSU Pomona
"Ken Kobre is always up to date with news photography in the U.S...concise and right on point chapter after chapter...the complete photojournalism manual."
-Jim W. Vestal, California State Univ. Hayward
'Profusely illustrated with mainly black and white photos, Photojournalism
brings back the great days of Picture Post and Life.'
Include Eugene Smith's Nurse Midwife photo essy.
"a thoughtful and thoroughly insightful look into photojournalism...the bible for photojournalism students..."
From the Publisher
The new edition includes: * The best in U.S. photojournalism images from newspapers around the country- 61 striking color images and 412 memorable black and white images * The use of digital imaging in Photojournalism incorporated throughout the chapters * New interviews with well-known photojournalists, such as Anne Wells Story of a Pulitzer Prize Photo, John Gaps III of the Associated Press, David Kennerly of Newsweek, Diana Walker and PF Bently of Time
About the Author
Professor Ken Kobré directs the photojournalism sequence at San Francisco State University, California. His photographs have appeared in Newsweek, Time, Business Week, San Francisco Examiner, and numerous other publications. Kobre also is the producer of the hour-long documentary "Deadline Every Second: On Assignment with 12 Associated Press Photojournalists.” Please "friend” Ken on Facebook, www.facebook.com/kenkobre, and then "like” the page for "Deadline Every Second,” where you can view the trailer.
Most helpful customer reviews
17 of 17 people found the following review helpful.
Almost "The One Textbook" for Photojournalism
By Jim Peppler
I have been using Kobre's excellent book as a text for teaching Introductory Photojournalism ever since the first edition; it has always been the best source out there for teaching and has improved with each edition. I consider the current (5th Edition) is be almost "The ONE Textbook" for learning everything you need to know for understanding and practicing Photojournalism. A bit more on layout and design for Picture Stories would make it perfect.
In my full-time job I've been a full-time staff photographer with a large daily newspaper for over 30 years, and still, I come across something new with every reading of this book.
13 of 13 people found the following review helpful.
Book worth keeping!
By Christopher K. Seid
I wanted to take a Photojournalism course at UCLA extension. But the course schedule conflicted with my schedule (and it was a little expensive). So i looked up and course text book and this was the text. It is very informative and really shows what the photojournalists does. The author really does know his stuff, but he doesn't just share his point of view, he quotes many other journalists too. Covers a lot of material but I particularly like sections regarding what roles photojournalists are to play, the legal aspects of shooting photos and tips to get started in photojournalism. Some bookd are a bore to read and are so superficial and light on material, this one isn't. Interesting photos and good writing makes this a keeper for me. Hope you find it the same way too.
11 of 12 people found the following review helpful.
Definitely a must have for any beginner
By Bryan Herbert
Excellent book! I put off buying it for over a year because I thought it was a bit pricey, but less than a month after reading it one of my photos made the front page of our local newspaper.
The book covers everything you need to know to get started, topics include...
- covering news, features, sports, politics & contemporary issues
- narrative picture stories
- finding features & catching candids
- environmental & interpretive portraits
- creative use of the strobe
- digital shooting & darkroom techniques (Photoshop tutorials included)
- concept photography & illustrations
- newsroom politics
- picture editing
- shooting within the bounds of the law
- controversial pictures & ethical discussions
- expanded history of photojournalism
- freelancing & business practices
- internships and after
If bought new the book also comes with a DVD featuring multiple documentary film shorts which to me is worth $20 alone.
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